As a Golden Globe winning actor, published author, and graduate student at more than one prestigious university, one would think James Franco had no time to spare for modern art. After watching him portray the ‘bad boy’ in “Freaks and Geeks” and drift about dreamily in “Pineapple Express,” you’d think James Franco wouldn’t have the personality or background to express himself poignantly either, but he did so brilliantly with the debut of “The Dangerous Book Four Boys”, which opened at New York’s Clocktower Gallery earlier this week.
Franco opened his first solo show with an overpowering but alluring combination of film, photography, drawings, and sculpture attempting to capture his personal and intense exploration of masculinity, sexuality, and celebrity. The exhibit is spread over two rooms, one of which resembles an adolescent boy’s room full of the relics of teenage hell, while the other transitions to an adult scenario, seemingly on behalf of a transition from boyhood to manhood, represented by the material possessions hoarded along the journey.
Short films feature Franco in all his glorious presence along with the artist, Carter, and contain everything from a tribute to mustaches and motorcycles, to an abstract monstrosity full of ghosts, flaming arrows, and mechanical bulls. The result? An overwhelming and intriguing look into the heart and soul of James Franco, the person.
Overall, “The Dangerous Book Four Boys” stimulates a substantial amount of interest, and at the very least, lets you get a glimpse of the inner James Franco, an obvious multi-talented character.
“The Dangerous Book Four Boys” is on view at the Clocktower Gallery and is open to the public Tuesday through Friday from 12 to 5 P.M. through September, and I encourage you to take this opportunity to view an interesting montage revolving around the mind of an interesting and intelligent individual (not too mention, he’s not too bad on the eyes either).
